Tag Archives: swedish pop

Single: Danny Saucedo – “Todo el Mundo” (2013)

Check me, I’ve got my finger on the pulse, I’m only 3 weeks late looking at Danny Saucedo’s latest single. Danny’s had a good year, taking a break from coming second at Melodifestivalen, he co-hosted the show this year.

danny saucedo todo el mundoHe was a great host and took some opportunities to sing too, including with a one-night-only reunion of Alcazar, really awesome. That builder’s outfit was pretty hot too…

I’m not completely familiar with Danny’s musical output outside Melodifestivalen, though I really loved his latest “Amazing” album, an awesome cardio playlist! It’s not clear what form his next album will take, judging by this latest single. Continue reading

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EP: Anton Ewald – “A” (2013)

While some of the hardcore Schlager fans complained about this year’s Melodifestivalen, as always there were plenty of great songs competing to represent Sweden. Robin Stjernberg made history as the first Andra Chansen qualifier to win Melodifestivalen in an electrifying final. His fairytale story might have ended on a lukewarm note in Malmö, but it’s easy to forget another Andra Chansen qualifier that managed the rare feat of finishing top 5.

anton ewald aYes, Anton Ewald made his debut as a Melodifestivalen singer this year with the breakout hit of the season “Begging”. It wasn’t his first time on the MF stage though, debuting as a dancer with Velvet in 2009, as well as dancing & choreographing both Danny Saucedo’s “Amazing” and Andreas Lundstedt’s “Aldrig Aldrig” in 2012. Busy guy.

I thought he was a surefire qualifier in his semi-final, but lost out to two songs he would later defeat in the final. Before that, he earned his place there in second-chance round Andra Chansen with a much more polished performance. He might not have won, but the exposure of a Melodifestivalen Final is highly-prized in Sweden, and with the dust and glitter settling after Malmö’s Eurovision, it’s time for some new material. Continue reading


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Melodifestivalen 2013 – Karlstad: Andra Chansen results & final running order

After a subdued quartet of heats, Melodifestivalen is rapidly approaching its conclusion for another year. Eight finalists were picked from each heat, but Andra Chansen (Another Chance) gives two of the 3rd & 4th placers from the heats a ticket to the final.

I sort of get why, for the sake of completeness. 3rd place in a super-strong heat would have otherwise missed out against the 2nd place in a terrible heat. But as far as I’m aware, an Andra Chansen winner has never won Melodifestivalen… but I suppose there’s a first time for everything.

This year’s Andra Chansen roster looks more appealing than the final, with many of my preferred tracks from the heats ending up there (or worse). Typically the two I like the least will qualify, which in this case would be Eric Gadd and Caroline af Ugglas, so I’m happy to take literally ANY other result. If I had to commit to two, it would be Robin Stjernberg and Anton Ewald, or possibly Martin Rolinski. I’m a little surprised to say Anton, but since the Melodifestivalen CD came out I’ve really enjoyed his track. But let’s see what happens…

melodifestivalen2013 Continue reading


Filed under Eurovision, Malmö 2013, Melodifestivalen 2013, Music, Reviews

Song: Ola – “All over the world” (2010)

I might be a bit behind the times with Swedish music, but I’m always happy to fill in some blanks when I get the chance. This is as good a time as any, as Swedish singer Ola took 2012 to try and launch an international career by visiting the US and UK, largely pushing this single, the third Swedish release from his self-titled third album.

It certainly makes all the right connections in my mind, quite reminiscent of Agnes’s “Release me” with those amazing stabs of disco strings and a soaring chorus.  Ola’s got your classic Swedish look and style, platinum blonde and very watchable as a performer.

Melodically it reminds me a bit of that Justin Bieber song “Somebody to love” too, but that’s probably just by chance since they’re about the same age. This has more of a clubby vibe to it than that song anyway.

That chorus is amazing though, euphoric with some tough notes handled powerfully by Ola. If this is the sound of his album, I’m definitely on the lookout for it to fill the gap while the other Swedish pop boys are between albums.

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Album: Agnes – “Veritas” (2012)

After the doom and gloom of Loreen’s debut album, let’s stay in Sweden (after all, why would you leave?), and enjoy the fourth album from Agnes. Winner of Sweden’s “Idol” show in 2005, she’s enjoyed success at home, and even an international crossover single with “Release me”.

It doesn’t feel that she’s really capitalised on that big hit, only really scoring a minor hit with follow-up single “I Need You Now”. But after an extended break, she’s here with a nice dollop of Swedish dance-pop. She’s even topless on the front cover, get her!

08 Amazing – What an odd song to start off with! Well not really that odd for the most part, the verses have a throbbing bassline and sparse vocals. But she loses the plot a bit for the chorus. It’s amaaaaaaa-ZANG!! She’s not going for vocal perfection here, just powerful (and slightly unhinged) yelping… but it sort of works. She doesn’t come over as a ‘personality act’ really, so I’m glad she’s showing a bit of spark. The song stomps along without much other excitement, but that chorus and the crazy electro-scribbly middle-eight prop the whole thing up.

07 Walk out of here – No time for a ballad, even though it sounds like it. Instead, an upbeat tempo kicks in, as Agnes weaves a tale of falling for a stranger. It sounds like a female Owl City track somehow. Obviously for me that’s a great thing, as I love Owl City. It’s warm and fun, though maybe it’s not the most memorable track. I do really like the sound of her voice, and this is fine but just not a standout.

08 All I want is you – More yearning electro-ballads, but that’s fine by me. Some dramatic strings thrown in for good measure… did they know I was coming? So far the album has had plenty of decent but perhaps unextraordinary tracks, but there’s a good energy and consistent tone – not to the point of sounding samey. It’s tempting for her to make “Release me” again, and there are shades of that here, but only a little. Very good, but again not amazing (amaaaaa-ZANG!!)

10 One last time – Oh God, I really didn’t take to this as a single a few months ago when I first heard it, but I totally love it now. When that deep, dark backing effect kicks in after about 30 seconds, it still gives me shivers. I know she can sound happy, but there’s a lot of that tortured note to her voice so far, particularly here. It’s a really touching ballad, trying to make up for her mistakes that appear to have totally destroyed a relationship. It’s simple, but really shows how she’s developed since the last album.

09 Loaded – Time for a bit of fun, and what must rank as one of the most shameless penis lyrics in a song this year. Is that thing loaded, indeed? A pulsing electro intro, that pauses for a bridge and then thumps right back for the chorus. Really love it, even if those lyrics really are naff and awkward in (most) places. That’s just a great chorus though, love it!

08 Human Touch – Thank God, she’s on to happier songs after that rather miserable opening act. This is great modern Swedish pop track, there’s just that different feel to it than your standard-issue Max Martin tracks (though he’s Swedish of course). It’s punchy, and has a great 80s-throwback bridge, like a Glee cover of Van Halen or something. OK there’s not a huge amount to it, but it’s upbeat and irresistible.

08 Watching it burn – OK enough excitement, time for a standard ballad. She’s got a lovely voice so there’s no need to bury it in production every time (though she works well with that). Does that chorus remind anyone else of “I Have A Dream”? It’s another 80s throwback vibe, I think it’s the second verse that’s making me think that. Strings too! Love it! The track doesn’t quite get my blood pumping, but she’s got the voice for it. Especially towards the end, some great pure notes.

06 Got me good – Did this fall off the back of an Alexandra Burke album? That Robin S bassline gives a great 90s feel to this one, but without sounding dated. There’s not much to it though, and it does start to get a little boring towards the end. But ultimately, all these songs are less than 4 minutes long; how bored can you get? It’ll do until the next track.

08 Like God – The tempo gets back up and running, with that rich sound that’s really giving so much to this album. Those Swedes really know what they’re doing. Describing someone as being like God is a bit of a claim, and it’s not entirely clear why she’s doing that, but that chorus really soars. Can’t put my finger on why I like this so much, it just works.

07 Into the sun – A full-on electropop track now, kicking off right from the first second. This feels like another one that fell off the back of the Burke lorry, but that’s no bad thing. The chorus is pretty good but it’s all over the place. It’s a strong melody, I’m just not sure I’m that keen on it.

09 Nothing else matters – Oh stop ruining it with these ballads! Fair enough though, she’s getting good at these, though you can’t just slap a string section on any other track you know … oh who am I kidding? That little trembling bit at the start of the second verse just killed me. I just love this woman *jumps on sofa*.

07 Unforgiven – Cheer up! Can’t we go out on a happy note? That mournful tone is back again to play us out. Glad this is only a bonus track, it fits in with the album, but it’s just a bit superfluous. Nice enough, but there’s not a lot to that chorus at all is there? Still, nothing wrong with it.

So there we have it. I really liked former album “Dance Love Pop”, but I don’t remember feeling this strongly about it. “Veritas” shows how sophisticated an artist she’s become in the intervening years, and everything about this project just feels classy and well thought-out. OK so there’s not another “Release me”, or a breakout hit here, but it certainly gives me hope for the rest of her career. Will Melodifestivalen come knocking in 2013? I hope so, I think she might not have the ridiculous personalities of the Schlager heroines, but she is a class act and – gold catsuit notwithstanding – could come up with the goods easily.

Keepers for the iPod: Amazing, All I want is you, One last time, Loaded, Human Touch, Watching it burn, Like God, Nothing else matters


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