So here we are, the last day of my countdown and time to see what my top 10 tracks of 2013 are. I must say it’s all a little surprising to see how it all panned out. I hadn’t really thought of any of the songs as outright contenders for the #1 of the year, but someone has to be there, and it’s about time I let the cat out of the bag.
Tag Archives: begging
While some of the hardcore Schlager fans complained about this year’s Melodifestivalen, as always there were plenty of great songs competing to represent Sweden. Robin Stjernberg made history as the first Andra Chansen qualifier to win Melodifestivalen in an electrifying final. His fairytale story might have ended on a lukewarm note in Malmö, but it’s easy to forget another Andra Chansen qualifier that managed the rare feat of finishing top 5.
Yes, Anton Ewald made his debut as a Melodifestivalen singer this year with the breakout hit of the season “Begging”. It wasn’t his first time on the MF stage though, debuting as a dancer with Velvet in 2009, as well as dancing & choreographing both Danny Saucedo’s “Amazing” and Andreas Lundstedt’s “Aldrig Aldrig” in 2012. Busy guy.
I thought he was a surefire qualifier in his semi-final, but lost out to two songs he would later defeat in the final. Before that, he earned his place there in second-chance round Andra Chansen with a much more polished performance. He might not have won, but the exposure of a Melodifestivalen Final is highly-prized in Sweden, and with the dust and glitter settling after Malmö’s Eurovision, it’s time for some new material. Continue reading
This is it, Swedophiles, the big one. For those with an interest in Eurovision beyond their country’s national selection and the Eurovision shows themselves, the most famous event in the Eurovision calendar is Melodifestivalen.
This is Sweden’s national selection process to choose their representative in Eurovision. An ambitious series of four heats, a second-chance round and the grand final took place of the course of 6 weekends in six cities all over Sweden.
Regular readers will know I’ve been reviewing each of the shows so far, coming from Karlskrona, Gothenburg, Skellefteå, Malmö and Karlstad, but today all eyes and ears are on the recently completed Friends Arena in Stockholm as the ten finalists perform for the right to represent Sweden on the first Eurovision Song Contest on home soil for 13 years.
Malmö arena (venue for the 4th heat) is the home of Eurovision 2013, and Sweden get a free ticket to the grand final in their role as hosts, after Loreen won last year’s Eurovision in Baku, Azerbaijan last year with her massive hit song “Euphoria”.
The winner is decided by a 50/50 split of a televote and national juries. The jury vote is a common feature in deciding a national final winner, but unusually it’s not a Swedish jury at the helm. Instead, 11 national juries from across Europe will give their contribution to the final scores. These juries come from all four corners of Europe: Iceland to Israel, Spain to Ukraine (that wasn’t meant to rhyme so well), as well as the rest of the “Big Five” Eurovision countries and a few others.
Are we ready? Perhaps not ready for a Malmö-reworded cover of ABBA’s “Kisses of Fire” by hosts Danny & Gina, and the Eurovision hosts for 1992, 2000 and 2013. WTF?! Continue reading
Melodifestivalen got off to a rocky start last week, as Sweden started its task of selecting a successor to Loreen, ahead of the first Eurovision Song Contest held in Sweden since 2000. Another eight songs were performed, two of which were voted into the final, while another two got a second chance at the Andra Chansen show in 3 weeks. I think all-in-all it was a better selection this week, as the contest hit Gothenburg’s huge Scandinavium. But did Sweden make good choices?
Anton Ewald – Begging
Is that some more generic dancepop I hear? You betcha, and a small figure wanders through the smoke – a smily mix of Eric Saade, Justin Bieber and a wind machine. There’s nothing really new to this, it’s as generic as you like, but he’s a decent performer. OK his vocals get away from him a little during the frantic dance routine, but he pulls it all off.
The only real stumbling block is that the song is pretty boring. Sure, it has all the beeps and swizzles that you want from Electropop, but that chorus just doesn’t have anything to it. It just makes me excited for his inevitable return next year with a hopefully better song.
Felicia Olsson – Make me no 1
*fingersnap*, it’s a sassy plus-sized chanteuse, with an Adele-ified pouting bottom lip. So far, so standard. But ooh that’s an unusual chorus, it’s played up a lot by the lights and slightly clunky lyrics “*beat* PART TIME GIRLFRIEND”.
It conjures up memories of Maria thingy from Norway a few years ago, but never quite reaches those heights. They try their best with a big note and some pyro, but while this is perfectly nice, I was never QUITE on board.
Joacim Cans – Annelie
Eek, what is that? The hairier face of Swedish music lumbers in for a turn this time, with a slightly off-key first verse, some really ropey styling, and a totally unengaging (and slightly unsettling) performance.
Why does he keep making those creepy eyes at the camera? Ack! The best bits are where everyone is singing, and drowning him out. No amount of three-way ‘rocking out’ exhibitions will help this, like some folk-music version of Soggy Biscuit. No THANKS
Swedish House Wives – On top of the world
The great buzz act of the night, a supergroup of former Schlager queens Hanna Hedlund, Jenny Silver and Pernilla Wahlgren. The last great G:son-penned hope for melodramatic Swedophiles everywhere. People where slipping into gay comas all over when the previews first surfaced.
But then it didn’t qualify, and suddenly it was simultaneously a bad song and also a martyr against Melodifestivalen’s shunning of a particular brand of Swedish cheese. Sigh.
Well it certainly had all the look of a modern Schlager anthem (whatever that means, it’s a genre that seems perpetually stuck in the past), and it was lent some modern relevance by the wholesale ripping-off of the chorus to Gaga’s “Edge of Glory”. Vocals were iffy too, but despite all this, and its iffy delivery, it was a lot more fun than at least half of the songs in this heat, so I’m sad it didn’t get any further.
Erik Segerstedt & Tone Damli – Hello goodbye
Middle of the road love song now, courtesy of two gorgeous swedes. It’s total cheese, and the doe-eyed acoustic guy has been done at Eurovision quite a lot recently, but they both sing well. Tone is so pretty…
It’s a bit country, and that chorus keeps reminding me of “My Girl”, but it’s a sweet song. I was secretly gunning for this to make it through to the final as a counterpoint to some of the electropop already filling up the roster. Not a winner realy, but lovely all the same.
Louise Hoffsten – Only the dead fish follow the stream
WHAT a title! A real old-fashioned track as well, like old Fleetwood Mac or something. It’s such a strange choice for a show like Melodifestivalen, I guess I’m used to the occasionally folky act, and acoustic stuff, but this feels like it’s from another decade. It’s grown on me actually, even if Louise seems a little uncomfortable in this contest.
I gather she’s quite a famous blues singer in Sweden, so it’s a bit of a curveball, but I’ve heard worse songs. Rather like that harmonica bit too!
Rikard Wolff – En förlorad sommar
Ack, folky ballad time now, with Rikard performing as the ghost of Andrew Lloyd Webber. He’s got quite a nice voice, and for reasons that escape me (I don’t know Swedish), he seems quite emotional. The family photos projected on the piano probably have something to do with it, but it’s lost on me.
The song just flatlines though, the instrumentation is nice, but this just isn’t my tastes, and I’ll just leave it to the oldies to appreciate.
Sean Banan – Copacabanana
After making it to Andra Chansen last year, Sean’s back with more novelty rap-dance-pop. Again all in Swedish, and seemingly exclusively for Swedish audiences judging by the number of Melodifestivalen references jammed into it. It’s a bombastic affair involving various stages of stripping, tacky outfits, props, jokes about Turks, and a ridiculous angel set-piece.
Totally OTT, and had a bit of an advantage over everyone else with the massive budget it seemed to have. The song itself only really works for me at the chorus, which is catchy in the most basic of levels. It will be a disaster if this makes it to the stage in Malmö though!
So after all that, what happened? With a sad inevitability Sean Banan made it to the final, and astonishingly he was joined by Louise Hoffsten with her dead fish song. God knows what was in the Swedish water that day (though it presumably killed the fish).
Andre Chansen got two more chancers, in the shape of the Erik & Tone duo and twinky Anton. A shame for the Housewives, but I guess the other two had the better chance outside Melodifestivalen. Not really the result people were perhaps looking for, or expecting, but it’s still early days, with 16 more songs to come. Not sure I’ve heard a winner yet though…